Susanna Braun
Pianist
About
The emerging Swiss pianist Susanna Braun made her debut at the Tonhalle Zürich in 2024, performing Mozart’s Piano Concerto KV 466 and earned praise for her “sensitive touch, high virtuosity, and expressiveness” (Schaffhauser Nachrichten). In June 2025, she appeared with the BBC Philharmonic, performing Bacewicz’s Piano Concerto, which was also recorded for a live BBC Radio 3 broadcast. The Arts Desk described her interpretation as “gentle, bittersweet and evocative”. Her collaborations also include the Manchester Camerata, the Youth Symphony Orchestra of Ukraine, the Sinfonietta Schaffhausen, the Jena Philharmonie, and the Norddeutsche Philharmonie Rostock, among others.
Concert Diary
May 21, 2026, 19:30: Císařské lázně – Atrium sál, Karlovy Vary, Czech Republic
Prokofiev with Karlovy Vary Symphony Orchestra
July 19 – 27, 2026: BlenioMusica Festival, Valle di Blenio, Switzerland
Annual chamber music festival
November 27, 2026, 15:00: Richard Wagner Museum, Luzern, Switzerland
Recital – Luzern Tribschener Salonkonzerte
December 7, 2026, 16:00: Internationaler Lyceum Club, Zürich, Switzerland
Recital & Chamber music
Videos
Reviews
Susanna Braun at St Mary’s, London
Cristopher Axworthy, 9 October 2025 — “The clarity and precision of a master musician”
“The ‘Allegro’ central interruption was played with dynamic brilliance and extraordinary clarity. Driving Beethovenian impatience was quelled with the exquisite beauty of the return of the ‘Andante’ that just dissolved to a whisper without any rallentando! Susanna’s extraordinary intelligence and musicianship allowed each movement to flow into the next in a work of unique originality for its time. A true ‘Allegro molto e vivace’ second movement, was played with the irascible youthful Beethovenian drive and impatience, with the central driving bass rhythms giving extra energy always especially when played with the dynamism of this young Swiss pianist.
Manchester Camerata / Kohout, Spence, Braun – RNCM Concert Hall, Manchester
The arts desk by Robert Beale, 24 September 2025
“…were playing as if controlled by a single mind, with a delightfully varied range of tone from each of them contributing to the sound palette of the solo group.” “…each has surely far to go in their careers from now on. It was an inspiration to witness them making music together.”
Solo Recital – Chethams International Piano Summer School – Stoller Hall, Manchester
Cristopher Axworthy, August 2025
“… Susanna opened with Scarlatti of delicacy and precision. A dynamic drive and energy within the notes themselves with subtle refined phrasing, managing to create a jewel of glistening brilliance. It was the same intelligence and refined tonal palette that gave such weight and importance to Liszt’s late Hungarian Rhapsody. A work rarely heard in the concert hall was here rediscovered and reborn with a refined musicianship that was of radiance and beauty rather than rhetorical showmanship.”




